Atomic: The Bikini Tapes
Ok seriously? How cool is this? Atomic Bikini Tapes, who doesn’t want to know what THAT is? Here at Atomic Tape .com you can find all sorts of cool stuff!
The Norwegian-Swedish quintet Atomic may be considered the Scandinavian equivalent of Chicago’s Vandermark 5. Atomic’s compositions, like Ken Vandermark’s, are loaded with clever references to the history of modern and free jazz, and both groups’ players know how to integrate these influences without losing their original voices. The architecture of the compositions is very tight, with well written and complex ensemble passages, but at the same time they are very fluid, flowing with exciting rhythmic energy.
Ken Vandermark has already recognized Atomic’s qualities and enlisted its players to join his various ensembles. Swedish trumpet player Magnus Broo recently joined Peter Brotzmann’s Chicago Tentet; fellow Swedish reed player Fredrik Ljungkvist is a member of Vandermark’s Territory Band; Norwegian bassist Ingebright Haker Flaten recorded with Vandermark in the now-defunct School Days, and together with Norwegian pianist HÃ¥vard Wiik joined Vandermark to form the trio Free Fall. Norwegian drummer Paal-Nilssen Love is one of Vandermark’s close associates and has recorded two duets with him. He’s a member of Vandermark’s FME; Vandermark’s Territory Band; a new Vandermark group, Powerhouse, with Norwegian noise maker Lasse Marhaug; the Peter Brotzmann Chicago Tentet; and School Days.
But what best defines Atomic and the Vandermark 5 is that both groups are meant to play live on a regular basis. The new live three-disc collection The Bikini Tapes is the best testimony of Atomic’s captivating abilities on stage. It’s an ironic name—especially with the painting of a palm tree on the cover. The disc was recorded in cool Norway during seven concerts at the beginning and the end of Atomic’s exhaustive 2004 European and American tour (which included a joint tour with Vandermark 5 that was chronicled in Atavistic’s 2004 Flammable Material poster box set).
The Bikini Tapes feature seventeen tracks from Atomic’s two previous jazz releases, Feet Music (2001) and Boom Boom (2003), and their collaboration with Ken Vandermark’s School Days (Nuclear Assembly Hall, Okka Disk, 2004)—as well as one cover, Radiohead’s “Pyramid Song,” and new compositions, all penned by Ljungkvist (the main composer), Broo, and Wiik.
Broo blends Dixieland references into his playing on “Den Flyktiga Magneten”; borrows from mid-sixties Miles Davis on Ljungkvist’s “Boom Boom”; and reflects Lester Bowie’s flights of imagination on “Alla Dansar Samba Till Tyst Musik.” Wiik pays tribute to the late Steve Lacy on his tender “Leave Stacy” and reflects on Lennie Tristano’s West Coast Cool sounds on “Re-Lee.” Ljungkvist is one of the best kept secrets of the European continent, a reed player who leans on Ornette’s legacy during “Feet From Above”; or on the Coltrane quartet’s sophisticated interplay during “Konards Hopp Om Livet”—but also borrows New Orleans themes on “Toner Fran Forr” and pays his respects to Jimmy Giuffre on “El Coto.”
His composition “Kerosene,” originally from Nuclear Assembly Hall, is one of the most arresting ones in this set, revolving around the unison lines of Ljungkvist and Broo, stressed by the propulsive rhythm of the Norwegian rhythm section. Nilssen-Love’s endless energy keeps pushing the group, but he knows how to spice his playing with surprising colorations. He and Flaten have turned into the new European brand of rhythm section, playing for such diverse groups such as Swedish reed player Mats Gustafsson’s punk-jazz outfit The Thing, Finnish guitarist Raoul Bjorkenheim’s metal-jazz Scorch trio, Vandermark’s post bop School Days, and reed player Zim Ngqawana’s South African-Norwegian group.
The Bikini Tapes feature many highlights. “Boom Boom,” which ends disc one and three, features thunderous solos by Broo and Ljungkvist. It’s contrasted by the elegant articulation of “Kerosene”; the sweet, bluesy version of “Pyramid Song,” which Broo and Ljungkvist’s beautiful, serpentine lines bring toward a restrained climax; and the catchy improvisations of “Alla Dansar Samba Till Tyst Musik.” The Bikini Tapes is a true document of a working group at its peak form. Unfortunately, there are not many working bands in jazz today like Atomic (or, for that matter, Vandermark’s various groups). Warmly recommended.
Tracks: CD1: Geometrical Restlessness; Feets From Above; Kerosene; Leave Stacy; Boom Boom. CD2: Den Flyktiga Magneten; El Coto; Bop About; Alla Dansar Samba Till Tyst Musik; Konrads Hopp Om Livet; Pyramid Song. CD3:Toner Fran Forr; Alla Dansar Samba Till Tyst Musik; Hyper; Kerosene; Re Lee; Boom Boom.
Personnel: Fredrik Ljungkvist: saxophone, clarinet; Magnus Broo: trumpet; Havard Wiik: piano; Ingebrigt Haker Flaten: bass; Paal Nilssen-Love: drums, percussion.
ORIGINAL SOURCE: http://www.allaboutjazz.com/php/article.php?id=19129